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Color Correction. The amount of color correction that the effect applies to the adjusted shadows and highlights. For example, if you increase the Shadow Amount value, you bring out colors that were dark in the original image; you may want these colors to be more vivid.

The higher the Color Correction value, the more saturated these colors become. The more significant the correction that you make to the shadows and highlights, the greater the range of color correction available. Midtone Contrast. The amount of contrast that the effect applies to the midtones. Higher values increase the contrast in the midtones alone, while concurrently darkening the shadows and lightening the highlights.

A negative value reduces contrast. The Tint effect tints a layer by replacing the color values of each pixel with a value between the colors specified by Map Black To and Map White To. Pixels with luminance values between black and white are assigned intermediate values.

Amount To Tint specifies the intensity of the effect. This effect is GPU accelerated for faster rendering. The Tritone effect alters the color information of a layer by mapping bright, dark, and midtone pixels to colors that you select. The Tritone effect is like the Tint effect, except with midtone control.

The Vibrance effect adjusts saturation so that clipping is minimized as colors approach full saturation. Colors that are less saturated in the original image are affected by the Vibrance adjustments more than are colors that are already saturated in the original image. The Vibrance effect is especially useful for increasing saturation in an image without over-saturating skin tones. The saturation of colors with hues in the range from magenta to orange is affected less by Vibrance adjustments.

To affect less-saturated colors more than more saturated colors and protect skin tones, modify the Vibrance property. To adjust the saturation of all colors equally, modify the Saturation property. The Video Limiter effect clips video signals to legal ranges in the project working space.

For broadcast, these ranges are measured in IRE units. You can limit the chrominance and luminance values of the video signals to meet broadcast specifications. You can apply it to individual layers, or to an adjustment layer to limit your entire composition. You can use the Video Limiter effect instead of the similar but older, 8-bpc-only Broadcast Colors effect.

Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Third-party effects in this category included with After Effects:. Lumetri Color effect. This effect works with 8-bpc, bpc, and bpc color. Selective color adjustment with the color correction curves. RGB curves. RGB Curves let you adjust luma and tonal ranges across the clip using curves.

The master curve controls the Luma. Initially, the master curve is represented as a straight white diagonal line. The upper-right area of the line represents highlights and the lower-left area represents shadows. Adjusting the master curve adjusts the values of all three RGB channels simultaneously.

You can also choose to selectively adjust tonal value only for Red, Green, or Blue channels. To adjust different tonal areas, add control points directly to the curve. Click directly on the curve line and then drag the control point to adjust a tonal area.

Dragging a control point left or right increases or decreases the contrast. Hue saturation curves. Hue versus Hue – Select a color hue in the image and change it to another hue. Hue versus Saturation – Change the saturation of a color in the image. Hue versus Luma – Adjust the brightness of a color in the image. Saturation versus Saturation – Select and adjust the saturation range within the original saturation of an image. Luma versus Saturation – Select a luma range and adjust its saturation.

Set up Hue Saturation curves. Selectively color grade your footage. Click the eyedropper for the curve that you want to use. Drag the control points to adjust any of the color curves. When you selecting another color with the eyedropper, it adds additional three points to the graph. You can also create control points by clicking the curve. To delete a point, use Cmnd-click Mac and alt-click Win. Double-click any point to clear all points from the graph. Press the Shift key while you select a point on the graph to lock a control point at thier current hue.

Drag the center control point up or down to raise or lower the output value of the selected range. For example, you can use the Hue versus Sat curve to select a green range; dragging up increases the saturation of that range of green colors in your video, while dragging down reduces the saturation.

While moving a control point, a vertical band appears to help you judge your final result. It is useful in the Hue versus Hue curve, where it can be tricky to judge the resulting hue. For example: you want to fine-tune the orange color which looks like a pale yellow. You can use the Hue versus Hue curve to select a range of orange colors.

With the center control point selected the vertical indicator shows you that pulling down shifts the pale yellow towards orange. Examples to illustrate the hue saturation curves. Hue versus Saturation – Adjust the saturation of pixels in a selected hue range. Useful for saturating or desaturating specific colors.

For example, in the image, this curve has been used to increase the saturation levels of the image making the girl look less pale. The saturation of the blue sky and the light has also been increased to make the image look warmer. Hue versus Hue – Adjust the hue of pixels in a selected hue range. Useful for correcting colors, for example, the curve is used to change the hue of the dress of the girl.

This curve is useful for tasks like changing red to orange, or in fixing pale skin. Hue versus Luma – Adjust the luminance of pixels in a selected hue range. Useful for emphasizing or deemphasizing isolated colors, such as making blue skies darker or a purple flower brighter.

In the example, the pale blue sky and its reflection in the water below has been darkened to add more drama to the image. Luma versus Saturation – Adjust the saturation of pixels in a selected luminance range. Useful for saturating or desaturating highlights or shadows. In this example, this curve is used to slightly increase the blue tones within the luma. Saturation versus Saturation – Adjust the saturation of pixels in a selected saturation range.

Useful for bringing colors into legal range, such as compressing highlights or shadows. Auto Color and Auto Contrast effects. These effects work with 8-bpc and bpc color. Auto Levels effect. Broadcast Colors effect. This effect works with 8-bpc color. How to reduce signal amplitude:. Reduces the brightness of a pixel by moving it toward black. This setting is the default. Change Color effect. The Change Color effect adjusts the hue, lightness, and saturation of a range of colors.

The amount, in degrees, to adjust hue. Positive values brighten the matched pixels; negative values darken them. The central color in the range to be changed. How much colors can differ from Color To Change and still be matched. Inverts the mask that determines which colors to affect. Change To Color effect. The center of the color range to change. Which channels the effect affects. Change By. Use the View Correction Matte option to better identify which pixels are matched and affected.

Channel Mixer effect. Color Balance effect. Color Balance HLS effect. Color Link effect. Specifies what values are sampled and what operation is performed on them. The effect places a stencil of the original alpha channel of the layer over the new value. Color Stabilizer effect. Set Frame. What to stabilize:. Brightness is stabilized using one sample point Black Point.

Color is stabilized using two sample points Black Point and White Point. Black Point. Place this point on a dark area to stabilize. Mid Point. Place this point on a midtone area to stabilize. White Point. Place this point on a bright area to stabilize.

Sample Size. Radius, in pixels, of sampled areas. Colorama effect. Input Phase controls. The color attribute to use as input. Choose Zero to use a color attribute from another layer. Add Phase. The color attribute from the second layer to use as input.

Add Mode. How input values are combined:. Phase Shift. Tip : Animate Phase Shift to cycle colors around the wheel. Output Cycle controls. To delete a triangle, drag it away from the wheel. Modify controls. The color attribute to modify. Modifies alpha channel values. Pixel Selection, Masking, and other controls. Mask Layer. Curves effect. You can load and save arbitrary maps and curves to use with the Curves effect. To change the size of the graph, click the different resize buttons above the graph.

Use the Curves effect. Use the Bezier tool and the Pencil tool to modify or draw a curve. To activate a tool, click the Bezier button or the Pencil button. Equalize effect. Exposure effect. Adjust all channels simultaneously. Adjust channels individually. Darkens or brightens the shadows and midtones with minimal change to the highlights.

The color channel you want to adjust. Choose Master to adjust all colors at once. Master Hue. From the Channel Control menu, choose which colors to adjust:. For Hue, type a value or drag the dial. For Saturation, type a value or drag the slider. The color shifts away from or toward the center of the color wheel, relative to the beginning color values of the selected pixels. For Lightness, type a value or drag the slider. Colorize an image or create a monotone result.

Select Colorize. The image is converted to the hue of the current foreground color. Drag the Colorize Hue dial to select a new color if desired. Drag the Colorize Saturation and Colorize Lightness sliders. From the Channel Control menu, choose an individual color. Setting the fall-off too low can produce dithering in the image.

Do any of the following:. Leave Color effect. The softness of the color boundaries. High values smooth the transition from color to gray. Levels effect. The Levels effect works with 8-bpc, bpc, and bpc color. The channels to be modified. Levels Individual Controls effect.

Photo Filter effect. You can use the Photo Filter effect controls to do the following: To use a color preset for the filter color, choose an option from the Filter pop-up menu. To set the amount of color applied to the image, adjust Density.

PS Arbitrary Map effect. Selective Color effect. Choose from one of two values from the Method menu: Relative Changes the existing amount of cyan, magenta, yellow, or black by its percentage of the total. Absolute Adjusts the color in absolute values. The color that is affected is the color chosen in the Colors menu. Expand the More Options category to reveal the following controls:. Tint effect. For more complex tinting, use the Colorama effect. The Tint effect uses GPU acceleration for faster rendering.

Tritone effect. Vibrance effect. The Vibrance effect is based on the Vibrance adjustment layer type in Photoshop. Video Limiter effect. More like this Color correction, color grading, and color adjustment Gamma and tone response Adjust exposure for previews. Sign in to your account. Sign in. Quick links View all your plans Manage your plans. To control playback of an embedded video file, control the Timeline that contains the video. For example, to pause a video playing on the main Timeline, you would call a stop action that targets that Timeline.

To apply actions to a Video object, first convert the Video object to a movie clip. To show a live video stream from a camera, use ActionScript. To attach the video stream to the Video object, use Video. See also Video and attachVideo Video. The embedded video clip is updated with the edited file. The compression settings you selected when you first imported the video are reapplied to the updated clip. Legal Notices Online Privacy Policy. User Guide Cancel. Before you begin.

Animate can only play specific video formats. Methods for using video in Animate. You can use video in Animate in different ways:. Progressive download from a web server This method keeps the video file external to the Animate file and the resulting SWF file. Stream video using Adobe Media Server. Embed video data directly inside a Animate file This method results in very large Animate files, and is only recommended for short video clips.

Progressively download video using a web server. Progressive downloading provides the following advantages over embedding video in the Timeline:.

Import video for progressive download. Select a skin for your video clip. Select a custom skin of your own design by entering the URL of the skin on the web server. The video skin if you chose to use a skin To use a predefined skin, Animate copies the skin into the same folder as the FLA file.

Video playback starts sooner than it does using other methods of incorporating video. Streaming video provides better tracking, reporting, and logging ability. Embed a video file within a Animate file. The limitations of embedded video include:. At runtime, the entire video must fit into the local memory of the playback computer. The length of an imported video file cannot exceed frames. Embedding a video within a Animate file. Select one of the following options: Load external video with playback component : Imports the video and creates an instance of the FLVPlayback component to control video playback.

Click Browse and select the video file from your computer and click Next. Choose the symbol type with which to embed the video. Movie Clip. Import the video clip directly onto the Stage and the Timeline or as a library item. If the video file contains audio that you don’t want to import, deselect Include audio.

Import video files into the library. Change the properties of a video clip. In the Video Properties dialog box, you can do the following: View information about an imported video clip, including its name, path, creation date, pixel dimensions, length, and file size Change the video clip name Update the video clip if you modify it in an external editor Import an FLV or F4V file to replace the selected clip Export a video clip as an FLV or F4V file.

Change video instance properties in the Property inspector. Select an instance of an embedded or linked video clip on the Stage. Enter an instance name in the Name text field on the left side of the Property inspector. Enter values for W and H to change the dimensions of the video instance.

Click Swap. Select a video clip to replace the clip currently assigned to the instance. View video clip properties in the Video Properties dialog box. Select a video clip in the Library Panel. Select Properties from the Library Panel menu, or click the Properties button located at the bottom of the Library Panel. The Video Properties dialog box is displayed.

Assign a new name to, update, or replace a video.